Permanent Collection 3rd term 2021
14 September - 12 December 2021
at the Collection Galleries 1-3
1st Room: Selected Works from the Collection
Artist | Title | Date | Material | Size | Donators/ Collection |
---|---|---|---|---|---|
Bartolome Esteban MURILLO | Santa Catalina de Alejandria | 1645-50c | Oil on canvas | 165×112 | |
Pierre BONNARD | La Seine à Vernon | 1912 | Oil on canvas | 34.3×55.8 | Gift of Mr.Mitsui Teizo |
Auguste RENOIR | Jeune femme en bleu | 1876c | Oil on canvas | 42.9×31.0 | Gift of the Cultural Foundation of Okada |
Odilon REDON | Allégorie: Un arbre rouge non rougi par le soleil | 1905 | Oil on canvas | 46×35.5 | |
Claude MONET | Le village de la Roche-Blond, Effet du soir | 1889 | Oil on canvas | 73.9×92.8 | Gift of the Cultural Foundation of Okada |
Marc CHAGALL | La branche | 1956-62 | Oil on canvas | 150×120 | Gift of the Cultural Foundation of Okada |
Raoul DUFY | Le cargo noir et l'arc-en-ciel | 1949c | Oil on canvas | 38.0×46.1 | Gift of the Cultural Foundation of Okada |
Antonio FONTANESI | Sun Setting on the Marsh | 1876-78c | Oil on canvas | 39.5×61.0 | Gift of the Cultural Foundation of Okada |
HARADA Naojiro | Old Man | 1886c | Oil on canvas | 57.6×42.6 | |
KANOKOGI Takeshiro | Autumn Trees in Kyoto | 1904 | Oil on canvas | 60.4×75.5 | |
NAKAZAWA Hiromitsu | Woman with a Fan (Woman in the Daylight) | 1909c | Oil on board | 32.9×23.5 | Gift of Mr. Mitsui Gen |
FUJISHIMA Takeji | Korea | 1913 | Oil on canvas | 63.5×89.6 | |
SEKINE Shoji | Angel (Fragment) | 1918c | Oil on canvas | 17.3×36.1(image) | Gift of the Cultural Foundation of Okada |
KOIDE Narashige | At the Hôtel Sommerard, Paris | 1922 | Oil on board | 51.5×44.5 | |
SAEKI Yuzo | Church of St. Anne | 1928 | Oil on canvas | 72.5×59.7 | |
NODA Hideo | Scene | 1936 | Oil on board | 30.0×45.5 | |
MATSUMOTO Shunsuke | Backside of Tokyo Station | 1942 | Oil on canvas | 50.0×60.6 | |
MATSUMOTO Shunsuke | Man | 1947 | Ink on paper | 36.5×24.5 | |
KATSURA Yuki | Work | 1958 | Oil on canvas | 120×82.0 | |
WAKABAYASHI Isamu | Dog in the Inside 2 | 1968 | Iron | 35.0×26.2×22.8 | |
TATEHATA Kakuzo | PILED CUP | 1996 | Wood, F.R.P. and lead | 254×84.0×80.0 | |
MIYATA Shuhei | Pyramids (Set of Three Pieces) | 1981 | Silver | 6.8×5.5/ 7.0×5.7/ 6.7×5.5 | |
MIYATA Shuhei | Fairyland | 1981 | Silver | 5.4~5.8×4.8 | |
MIYATA Shuhei | Cylinder / Square Pillar | 1981 | Silver | 7.0×4.2/ 7.0×4.2/ 6.7×4.6194×162 | |
YOON Hyong-Keun | Burnt Umber & Ultramarine Blue '87-#37 | 1987 | Oil on linen | 182×228 | |
TACHI Katsuo | gold that has been tasted in the fire | 1998 | Oil on canvas | 194×162 |
2nd Room: World of Hashimoto Heihachi
Artist | Title | Date | Material | Donators/ Collection |
---|---|---|---|---|
HASHIMOTO Heihachi | Fish | 1915 | Chinese ink on paper | Private collection |
HASHIMOTO Heihachi | Drawing for "Standing Girl" | 1924 | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Standing Girl | 1925 | Wood with color | Private collection |
HASHIMOTO Heihachi | Baisao | 1925 | Wood | Gift of Mr. Hattori Tadashi |
HASHIMOTO Heihachi | Bodhi Dharma | 1925 | Wood with color | Private collection |
HASHIMOTO Heihachi | Doll | 1925 | Wood with color | Private collection |
HASHIMOTO Heihachi | Statue of a Grown Woman | 1926 | Wood | |
HASHIMOTO Heihachi | Sarasvati | 1927 | Wood | |
HASHIMOTO Heihachi | Diary | 1927 | Private collection | |
HASHIMOTO Heihachi | About the Stone | 1928 | Wood | Private collection |
HASHIMOTO Heihachi | Lao Zi | 1932 | Wood | |
HASHIMOTO Heihachi | Nanquan Zhanmao | 1932 | Wood | Private collection |
HASHIMOTO Heihachi | Pilgrims to Ise Shirine | Unknown | Wood | Private collection |
HASHIMOTO Heihachi | Issa the Haiku Poet | 1935 | Wood | |
HASHIMOTO Heihachi | Zenzai Doji | 1935 | Wood with color | Gift of Mr. Sakai Yoshiyuki |
HASHIMOTO Heihachi | Dong Fang Shuo | 1935 | Wood | Private collection |
KITASONO Katsue | Heihachi | 1930c | Chinese ink and tint on paper | Private collection |
HASHIMOTO Heihachi | Sacred Beast | Unknown | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Drawing of human being | Unknown | Chinese ink on paper | Private collection |
HASHIMOTO Heihachi | Drawing | Unknown | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Girl | Unknown | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Katsue Kisasono the Great Poet | Unknown | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Baisao | Unknown | Chinese ink on paper | Private collection |
HASHIMOTO Heihachi | Diary | Unknown | Chinese ink and tint on paper | Private collection |
HASHIMOTO Heihachi | Mt. Asama | Unknown | Chinese ink and tint color on paper | Gift of Ms. Yoshie Fumi |
HASHIMOTO Heihachi | Vision of Future | Unknown | Chinese ink and tint color on paper | Private collection |
HASHIMOTO Heihachi | Ox | Unknown | Chinese ink on paper | Private collection |
3rd Room: Spanish Art from the Museum Collection
Artist | Title | Date | Material | Size | Donators/ Collection |
---|---|---|---|---|---|
Pablo PICASSO | Deux figures nues | 1909 | Drypoint on paper | 13.0×11.0 | |
Salvador DALí | El pasillo Talia de Palladio | 1937-38 | Oil on canvas | 116×88.5 | |
Joan MIRÓ | Femme et oiseaux | 1968 | Oil on canvas | 99.8×64.7 | Gift of the Cultural Foundation of Okada |
Antoni TÁPIES | Cracked Black and White Cross | 1976 | Mixed media and wood | 162×131 | |
Eduardo CHILLIDA | Gravitación CH-91/GT-56 | 1991 | Ink on paper with strings and cuts | 28×20 | |
Eduardo CHILLIDA | Bikaina(Extraordinary) XVI | 1988 | Etching on japanese paper | 97.0×64.9 | |
Francisco de GOYA y Lucientes | La Tauromaquia(7)〈Origen de los arpones ó banderillas〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(11)〈El Cid Campeador lanceando otro toro〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(17)〈Palenque de los moros hecho con burros para defenderse del toro embolado〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(19)〈Otra locura suya en la misma plaza〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(20)〈Ligereza y atrevimiento de Juanito Apiñani en la de Madrid〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(29)〈Pepe Illo haciendo el recorte al toro〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(30)〈Pedro Romero matando á toro parado〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Francisco de GOYA y Lucientes | La Tauromaquia(33)〈La desgraciada muerte de Pepe Illo en la plaza de Madrid〉 | 1815-16(Fourth Edition:1905) | Etching, burnished aquatint and burin on paper | 27.8×43.5 | |
Joan CALDELLS | R-816 | 1991 | Graphite on paper | 208×100each | |
José Luis ALEXANCO | Soldiver | 1990 | Mixed media on canvas | 160×180 | |
Alfonso ALBACETE | Espejismo 1 | 1990 | Oil on canvas | 170×150 | |
José María Sicilia | Wooden Partition: Small Flowers V | 1998 | Oil and wax on wooden board | 210×122 | |
Alfonso Sánchez RUBIO | Enjoy Golgota | 1989 | Mixed media and cloth | 61.0×184 | Gift of Mr. Oyama Ikko |
Alfonso Sánchez RUBIO | Ratonera de Diego | 1991 | Mixed media and oil on canvas | 95×66 | Private Collection |
Alfonso Sánchez RUBIO | Amarga | 1989 | Mixed media and cloth | 181×181 | Gift of Mr. Oyama Ikko |
Ramón de SOTO | Escalera del transito | 1997 | Steel | 35.3×Φ17.0 |
Lobby
Artist | Title | Date | Material | Donators |
---|---|---|---|---|
IIDA Yoshikuni | Construction X | 1987 | Wood, colored hemp rope |