Women In-Between: Asian Women Artists 1984-2012
List of Works
Cat. No | Chapter | Artist | Title | Material | Size (HxWxD) / Time duration | Year | Collection | |||
---|---|---|---|---|---|---|---|---|---|---|
1 | ① | Lin Tianmiao | Spawn #3 | Photograph on white cotton scrim, orbs of thread | dimensions variable | 2001 | Fukuoka Asian Art Museum | |||
2 | ① | Jalkhaajav Munkhtsetseg | Silence Series 1 | Watercolor, ballpoint pen, photograph, cloth on paper(collage) | 78 | 54 | 2009 | Fukuoka Asian Art Museum | ||
3 | ① | Jalkhaajav Munkhtsetseg | Silence Series 2 | Watercolor, ballpoint pen, photograph, cloth on paper(collage) | 78 | 54 | 2009 | Fukuoka Asian Art Museum | ||
4 | ① | Ashmina Ranjit | Hair Warp: Travels hrough Strands of Universe-Drawings (2), (3) | Charcoal drawings on lokta kagaz(Nepalese rice paper) | (2) 146 (3) 144.5 |
(2) 99 (3) 97.5 |
2000 | Fukuoka Asian Art Museum | ||
7 | ① | Arahmaiani | Poin Zero My Mind Gets Stuck | Video | 7min 12sec | 1997 | Owned by the artist | |||
8 | ① | Arahmaiani | His-Story(Japan) | Video | 10min 55sec | 2001 | Owned by the artist | |||
9 | ① | Arahmaiani | Human Love | Video | 4min 46sec | 2003 | Owned by the artist | |||
10 | ① | Arahmaiani | SOHO Baby | Video | 7min 36sec | 2004 | Owned by the artist | |||
11 | ① | Yeesookyung | Flame | Cinnabar on Korean paper | 196 | 260 | 2007 | Fukuoka Asian Art Museum | ||
12 | ① | Yeesookyung | Translated Vase | Ceramic trash, epoxy, 24k gold leaf, 24k gold powder | 150 | 110 | 120 | 2009 | Owned by the artist, Courtesy of Ota Fine Arts | |
13 | ① | Jung Jungyeob | Seed | Oil on canvas | 116 | 172 | 2003 | Collection of Ms. Yun Suknam | ||
14 | ① | Jung Jungyeob | Carnival | Oil on canvas | 112 | 112 | 2011 | Fukuoka Asian Art Museum | ||
16 | ① | Pinaree Sanpitak | Breast Stupas | Unthreaded silk | 500 | 122 | 2000-2001 | Fukuoka Asian Art Museum | ||
17 | ① | Pinaree Sanpitak | and everything in between the green | Acrylic, pencil on canvas | 190 | 160 | 2004 | Art-U room, Tokyo | ||
18 | ① | Pinaree Sanpitak | and everything in between the silver | Acrylic, silver leaf on cancas | 190 | 160 | 2004 | Art-U room, Tokyo | ||
19 | 3 | ②-ⅰ | Amanda Heng | Another Woman No.3 | Photograph | 50.2 | 75.2 | 1996 | Fukuoka Asian Art Museum | |
19 | 4 | ②-ⅰ | Amanda Heng | Another Woman No.4 | Photograph | 76.9 | 104.6 | 1996 | Fukuoka Asian Art Museum | |
19 | 6 | ②-ⅰ | Amanda Heng | Another Woman No.6 | Photograph | 101.6 | 76.2 | 1997 | Fukuoka Asian Art Museum | |
19 | 7 | ②-ⅰ | Amanda Heng | Another Woman No.7 | Photograph | 77.2 | 103.8 | 1997 | Fukuoka Asian Art Museum | |
19 | 8 | ②-ⅰ | Amanda Heng | Another Woman No.8 | Photograph | 101.6 | 76.2 | 1997 | Fukuoka Asian Art Museum | |
19 | 11 | ②-ⅰ | Amanda Heng | Another Woman No.11 | Photograph | 68.7 | 100.7 | 1997 | Fukuoka Asian Art Museum | |
19 | 12 | ②-ⅰ | Amanda Heng | Another Woman No.12 | Photograph | 76.8 | 102.2 | 1997 | Fukuoka Asian Art Museum | |
②-ⅰ | Amanda Heng | Documentation of the performances | Video | 30min | 1999-2001 | Owned by the artist | ||||
20 | ②-ⅰ | Shahzia Sikander | SpiNN | Video animation | 6min 30sec | 2003 | Fukuoka Asian Art Museum | |||
22 | ②-ⅰ | Aisha Khalid | Silence | Watercolor on paper | 26.2 | 20.2 | 2000 | Fukuoka Asian Art Museum | ||
23 | ②-ⅰ | Aisha Khalid | Form x Pattern #1 | Watercolor on paper | 18.2 | 14.2 | 2000 | Fukuoka Asian Art Museum | ||
24 | ②-ⅰ | Aisha Khalid | Form x Pattern #2 | Watercolor on paper | 35 | 25.6 | 2000 | Fukuoka Asian Art Museum | ||
27 | ②-ⅰ | Ayesha Mariam Durrani | In the Name of Honour | Gouache on wasli (handmade paper) | 16 | 21 | 2004 | Fukuoka Asian Art Museum | ||
29 | ②-ⅰ | Navjot Altaf | Modes of Parallel Practices; Ways of World Making | Wood, rubber tubesm pigment, cushion | dimensions variable | 1997 | Fukuoka Asian Art Museum | |||
30 | ②-ⅰ | Arpita Singh | Watching | Oil on canvas | 157.5 | 173 | 2004 | Glenbarra Art Museum, Himeji | ||
31 | ②-ⅰ | Arpita Singh | The Seashore | Oil on canvas | 157.5 | 173 | 2004 | Glenbarra Art Museum, Himeji | ||
32 | ②-ⅰ | Nazlee Laila Mansur | Louis Kahn's Dream: Rapunzel | Acrylic on canvas | 137 | 107 | 5.3 | 2002 | Fukuoka Asian Art Museum | |
33 | ②-ⅰ | Nazlee Laila Mansur | Usable Painting: The Dining Table | Acrylic on canvas | 153 | 122 | 7 | 2005 | Fukuoka Asian Art Museum | |
34 | ②-ⅰ | Eng Hwee Chu | The Role of the Female | Acrylic on canvas | 131.9 | 257.7 | 1996-97 | Fukuoka Asian Art Museum | ||
35 | ②-ⅰ | Nguyen Thi Chau Giang | The Same and the Opposite | Watercolor on silk (set of 4) | 120 | 80 | 2009 | Owned by the artist | ||
36 | ②-ⅰ | Nguyen Thi Chau Giang | I'm a Dragon | Watercolor on silk (set of 2) | 120 | 80 | 2012 | Fukuoka Asian Art Museum | ||
37 | ②-ⅰ | Dagvasambuu Uuriintuya | I Am a Kite | Watercolor on paper | 100 | 70 | 2009 | Fukuoka Asian Art Museum | ||
38 | ②-ⅰ | Dagvasambuu Uuriintuya | Window in the Sky | Acrylic on canvas | 130 | 115 | 2011 | Fukuoka Asian Art Museum | ||
39 | ②-ⅰ | Nge Lay | The Relevancy of Restricted Things | 3 digital prints (from a set of 11) | 91.8 61 |
61 91.8 |
(x 2) (x 1) |
2010 | Fukuoka Asian Art Museum | |
40 | Screening | Idemitsu Mako | Woman’s House | 16mm film (DVD version to be played in the exhibition) | 13min 40sec | 1972 | Owned by the artist | |||
41 | Screening | Idemitsu Mako | What a Woman Made | Video | 11min | 1973 | Owned by the artist | |||
42 | Screening | Idemitsu Mako | Another Day of a Housewife | Video | 9min 50sec | 1977 | Owned by the artist | |||
43 | Screening | Idemitsu Mako | At Any Place 4 | Video | 12min 30sec | 1978 | Owned by the artist | |||
44 | Screening | Idemitsu Mako | Animus Part 2 | Video | 19min 40sec | 1982 | Owned by the artist | |||
45 | Screening | Idemitsu Mako | Whispering Light | 16mm film (DVD version to be played in the exhibition) | 10min 50sec | 1985 | Owned by the artist | |||
46 | Screening | Idemitsu Mako | Yoji, What's Wrong with You? | Video | 18min | 1987 | Owned by the artist | |||
47 | Screening | Idemitsu Mako | Kiyoko's Situation | Video | 24min 20sec | 1989 | Owned by the artist | |||
48 | Screening | Idemitsu Mako | Kae, Act Like a Girl! | 16mm film (DVD version to be played in the exhibition) | 47min 20sec | 1996 | Owned by the artist | |||
49 | ②-ⅰ | Yun Suknam | Son, son, son | Acrylic, wood (set of 14) | 180 | 35 | 12 | 1993 | Mie Prefectural Art Museum | |
51 | ②-ⅰ | Yun Suknam | Pink Room 5 | Sofa, Korean paper, beads, mirror et al. | dimensions variable | 1995-2012 | Owned by the artist | |||
52 | Screening | Jane Jin Kaisen | The Woman, The Orphane, and The Tiger | Video | 72min | 2010 | Owned by the artist | |||
53 | Screening | Kum Soni | Beast of Me | Video | 18min | 2005 | Owned by the artist | |||
54 | Screening | Kum Soni | Foreign Sky | Video | 70min | 2005 | Owned by the artist | |||
55 | ②-ⅱ | Ha Cha Youn | Sweet Home | Video | 2min 30sec | 2004 | Owned by the artist | |||
56 | ②-ⅱ | Ha Cha Youn | Balade dans Paris | Video | 4min 42sec | 2006 | Owned by the artist | |||
57 | ②-ⅱ | Ha Cha Youn | Balade de Carola | Video | 9min 37sec | 2008 | Owned by the artist | |||
58 | ②-ⅱ | Ha Cha Youn | Sweet Home 4 | Video | 7min 59sec | 2009 | Owned by the artist | |||
59 | Screening | Trinh T. Minh-ha | Night Passage | Digital film | 98min | 2004 | Owned by the artist, Courtesy of Image Forum | |||
61 | 1 | ②-ⅱ | Zarina Hashmi | A House of Many Rooms -Once I lived in a house of many rooms | Etching on paper | 42.3 | 74.9 | 1993 | Fukuoka Asian Art Museum | |
61 | 2 | ②-ⅱ | Zarina Hashmi | A House of Many Rooms -I walk from room to room | Etching on paper | 42.3 | 74.8 | 1993 | Fukuoka Asian Art Museum | |
61 | 3 | ②-ⅱ | Zarina Hashmi | A House of Many Rooms -Touching the walls | Etching on paper | 42 | 74.9 | 1993 | Fukuoka Asian Art Museum | |
61 | 4 | ②-ⅱ | Zarina Hashmi | A House of Many Rooms -Boundaries of despair | Etching on paper | 42.5 | 75 | 1993 | Fukuoka Asian Art Museum | |
62 | 1 | ②-ⅱ | Brenda V. Fajardo | Tarot Card Series: Philipina -Entertainer in Japan | Pen, ink, tempera on cogon grass paper | 45 | 61.8 | 1993 | Museum of Contemporary Art Tokyo | |
62 | 4 | ②-ⅱ | Brenda V. Fajardo | Tarot Card Series: Philipina -In the Middle East | Pen, ink, tempera on cogon grass paper | 45 | 61.8 | 1993 | Museum of Contemporary Art Tokyo | |
63 | ②-ⅱ | Hou Lulu Shur-Tzy | Border-Crossing/ Cultural Identities-Song of Asian Brides in Taiwan(ll): Huan Shih-Lien and Her Daughter (A) | Digital print | 100 | 100 | 2008 | Owned by the artist | ||
63 | ②-ⅱ | Hou Lulu Shur-Tzy | Border-Crossing/ Cultural Identities- Song of Asian Brides in Taiwan(ll): Huang Shih-Lien and Her Daughter (B) | Digital print | 100 | 100 | 2008 | Owned by the artist | ||
64 | ②-ⅱ | Hou Lulu Shur-Tzy | Look Toward the Other Side- Song of Asian Foreign Brides in Taiwan (lll): Huang Shih-Lien's Family in Vietnam (A) | Digital print | 100 | 100 | 2009 | Owned by the artist | ||
64 | ②-ⅱ | Hou Lulu Shur-Tzy | Look Toward the Other Side- Song of Asian Foreign Brides in Taiwan (lll): Huang Shih-Lien's Family in Vietnam (B) | Digital print | 100 | 100 | 2009 | Owned by the artist | ||
65 | ②-ⅱ | Hou Lulu Shur-Tzy | Look Toward the Other Side -Song of Asian Foreign Brides in Taiwan (lll): Huang Shih-Lien's Home in Vietnam (A) | Digital print | 100 | 100 | 2009 | Owned by the artist | ||
65 | ②-ⅱ | Hou Lulu Shur-Tzy | Look Toward the Other Side -Song of Asian Foreign Brides in Taiwan (lll): Huang Shih-Lien's Home in Vietnam (B) | Digital print | 100 | 100 | 2009 | Owned by the artist | ||
66 | ②-ⅱ | Hou Lulu Shur-Tzy | Look Toward the Other Side: Song of Asian Foreign Brides in Taiwan (lll) | Video | 14min 51sec | 2009 | Owned by the artist | |||
67 | 1 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Kin, Okinawa | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 2 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Baguio, Philippines | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 3 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Kin, Okinawa | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 4 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Kin, Okinawa | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 5 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Kin, Okinawa | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 6 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Kin, Okinawa | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 7 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Olongapo, Philippines | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 8 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Manila, Philippines | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 9 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Olongapo, Philippines | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
67 | 10 | ②-ⅱ | Ishikawa Mao | Philippine Dancers -Olongapo, Philippines | Gelatin silver print | 27.9 | 35.6 | 1988-89(2012) | Fukuoka Asian Art Museum | |
68 | ②-ⅱ | Song Hyun-Sook | 13 Brushstrokes Over a Mass of Shoes | Tempera on canvas | 160 | 240 | 2005.1.27 | Collection of Ms. Oh Kyungja | ||
69 | ②-ⅱ | Song Hyun-Sook | 9 Brushstrokes | Tempera on canvas | 135 | 180 | 2008.3.26 | Owned by the artist, courtesy of Hakgojae, Seoul | ||
70 | Screening | Song Hyun-Sook | WOZUHAUS (Where is home, marvellous or murderous?) | Video | 79min | 2002 | Owned by the artist | |||
71 | 3 | ②-ⅱ | Song Hyun-Sook | Untitled No.24 | Gouache on paper | 23 | 24.5 | 2010.11 | Owned by the artist | |
71 | 5 | ②-ⅱ | Song Hyun-Sook | Untitled | Gouache on paper | 37 | 31 | 2011.6.21 | Owned by the artist | |
72 | 3 | ②-ⅱ | Yee I-Lann | Sulu Stories -The Archipelago | Digital print | 61 | 183 | 2005 | Mori Art Museum, Tokyo | |
72 | 5 | ②-ⅱ | Yee I-Lann | Sulu Stories -Borderline | Digital print | 61 | 61 | 2005 | Mori Art Museum, Tokyo | |
72 | 7 | ②-ⅱ | Yee I-Lann | Sulu Stories -Shell | Digital print | 61 | 61 | 2005 | Mori Art Museum, Tokyo | |
72 | 9 | ②-ⅱ | Yee I-Lann | Sulu Stories -The Song of the Keris | Digital print | 61 | 61 | 2005 | Mori Art Museum, Tokyo | |
73 | Entrance Hall | Arahmaiani | Flag Project | Installation | 2006- | Owned by the artist | ||||
74 | ③ | Nalini Malani | Despoiled Shore | Acrylic, charcoal on gypsum board mounted on hardboard | 244 | 940 | 1993 | Fukuoka Asian Art Museum | ||
追加出品 | ③ | Nalini Malani | Medeamaterial by Heiner Muller | Video(Max Mueller Bhavan, Bombay, India) | 1hr | 1994 | Owned by the artist | |||
75 | ③ | Imelda Cajipe Endaya | land of Golgotha | Oil, clothes, bamboo mat, et al. on canvas (mounted on plywood) | 176.2 | 244.4 | 1984 | Fukuoka Asian Art Museum | ||
76 | Screening | Yasmin Kabir | A Certain Liberation | Video | 38min | 2003 | Owned by the artist | |||
77 | Screening | Nguyen Trinh Thi | Chronicle of a Tape Recorded Over | Video | 28min | 2010 | Owned by the artist | |||
78 | ③ | Idemitsu Mako | The Past Ahead | Video installation | 2004 | Owned by the artist | ||||
79 | ③ | Yamashiro Chikako | OKINAWA TOURIST | Video | 22min | 2004 | Owned by the artist | |||
80 | Screening | Yamashiro Chikako | Your voice came out through my throat | Video | 7min | 2009 | Owned by the artist | |||
81 | Screening | Yamashiro Chikako | Sinking Voices, Red Breath | Video | 7min | 2010 | Owned by the artist | |||
84 | ③ | Sakata Kiyoko | Stopped Curtain | Curtain, resin et al. | dimensions variable | 2010 | Owned by the artist | |||
85 | Entrance Hall (Video) | Ito Tari | One Response -Bae Bong-gi and the Countless Other Women | Performance Video (recorded on 2012.9.1 at Fukuoka Asian Art Museum) | Documantation video | 2010 | ||||
86 | Entrance Hall (Video) | Ito Tari | A Deep Lament: Nuclear Radiation is Colorless So It Muse Be Fine | Performance Video (recorded on 2012.9.1 at Fukuoka Asian Art Museum) | Documentation video | 2011 | ||||
87 | ④ | Inoue Hiroko | Mori: Forest | Installation (14 gelatin silver prints on silk, fluorescent light, salt, video) | dimensions variable | 2011-12 | Owned by the artist | |||
88 | ③ | Shiota Chiharu | Bathroom | Video | 5min | 1999 | Kenji Taki Gallery, Nagoya | |||
89 | ③ | Shiota Chiharu | Falling Sand | Video | 3min 55sec | 2004 | Owned by the artist, courtesy of Kenji Taki Gallery, Nagoya) | |||
90 | ③ | Shiota Chiharu | Wall | Video | 3min 39sec | 2010 | Owned by the artist, courtesy of Kenji Taki Gallery, Nagoya) | |||
91 | ③ | Shiota Chiharu | Certain Relationship | Water-based crayonm pen, thread on paper (4 drawings) | 41 | 30.5 | 2011 | Owned by the artist, courtesy of Kenji Taki Gallery, Nagoya) | ||
92 | 1 | ④ | Kimsooja | Sewing into Walking -Mai Mountain | Video (Silent) | 1min 43sec | 1994 | Owned by the artist | ||
92 | 2 | ④ | Kimsooja | Sewing into Walking -Yandong Village | Video (Silent) | 2min 41sec | 1994 | Owned by the artist | ||
92 | 3 | ④ | Kimsooja | Sewing into Walking -Kyungju | Video (Silent) | 19min 40sec | 1994 | Owned by the artist | ||
93 | ④ | Kimsooja | Deductive Object | Used cloths, bed covers | 572 | 375 | 45 | 1997 | Fukuoka Asian Art Museum | |
94 | ④ | Yin Xiuzhen | Suitcase 2001 | Suitcases, old clothes, light bulb, video | Dimensions variable | 2001 | Fukuoka Asian Art Museum | |||
95 | ④ | Alma Quinto | House of Comfort Art Project | Thread, clothe et al. | Dimensions variable | 2006- | Owned by the artist | |||
96 | ⑤ | Niloofar Chaman | Which can bye Knotted -1 | Oil on board | 120 | 150 | 13 | 2002 | Fukuoka Asian Art Museum | |
97 | ⑤ | Niloofar Chaman | Which can be Twisted -2 | Oil on board | 120 | 150 | 13 | 2002 | Fukuoka Asian Art Museum | |
98 | ⑤ | Niloofar Chaman | Which can be Knotted -3 | Oil on board | 120 | 150 | 13 | 2002 | Fukuoka Asian Art Museum | |
101 | ⑤ | Watabiki Nobuko | Only the toes are honest to the heart | Watercolor, cloth on canvas | 205 | 166 | 2010 | Owned by the artist | ||
102 | ⑤ | Watabiki Nobuko | Expecting Quietly | Acrylic , cloth on canvas | 217 | 194 | 2011 | Owned by the artist | ||
103 | 1 | ⑤ | Sakata Kiyoko | For Instance, One Room (1) | Chair, chair legs et al. | 75 | 40 | 40 | 2011-2012 | Owned by the artist |
103 | 2 | ②-ⅱ | Sakata Kiyoko | For Instance, One Room (2) | Chair, chair legs et al. | 89 |
40 | 40 | 2011-2012 | Owned by the artist |
103 | 3 | ②-ⅱ | Sakata Kiyoko | For Instance, One Room (3) | Chair, chair legs et al. | 80 | 40 | 40 | 2011-2012 | Owned by the artist |
104 | ⑤ | Shilpa Gupta | Untitled | Interactive video projection | dimensions variable | 2004 | Fukuoka Asian Art Museum | |||
105 | ⑤ | Cao Fei | Shadow Life | Video | 10min 5sec | 2011 | Courtesy of Artist and Vitamin Creative Space, Guangzhou | |||
106 | ⑤ | Le Hoang Bich Phuong | Unspoken | Watercolor on silk | 85 | 85 | 2012 | Colleciton of Ms. Sophie Hughes and Mr. Stuart Palmer Courtesy of San Art, Ho Chi Minh City |
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107 | ⑤ | Le Hoang Bich Phuong | Xuyen Chi (Bidens Pilosa) | Watercolor on silk | 85 | 85 | 2012 | Collection of Angela and Nicholas Curtis Courtesy of San Art, Ho Chi Minh City |
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109 | ⑤ | Machida Kumi | Snow Day | Sumi (blue), mineral pigments, pigments, colored pencil and pencil on kumohada linen paper | 194 | 162 | 2008 |
The National Museum of Art, Osaka | ||
110 | ⑤ | Machida Kumi | Kotohogi (Congratulatory Wishes) | Sumi (blue), mineral pigments, pigments, colored pencil and pencil on kumohada linen paper | 116.1 | 145.5 | 2008 |
Private Collection |